Florida-Spaces

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Florida-Spaces / Florida-Räume

»Want to earn money writing? Want to disclose your most intimate thoughts?« Naturally, people reacted to our invitation in the classifieds and sent in texts. Some of them have been gathered in the present portfolio, which we have tentatively entitled »Florida-Spaces«, borrowed from one of the more unconventional submissions. Its author is the Marienfeld School, a group of philosophising dogs, one of whom, a cocker spaniel/architectural critic, happened upon the one from that requires further...

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»Want to earn money writing? Want to disclose your most intimate thoughts?« Naturally, people reacted to our invitation in the classifieds and sent in texts. Some of them have been gathered in the present portfolio, which we have tentatively entitled »Florida-Spaces«, borrowed from one of the more unconventional submissions. Its author is the Marienfeld School, a group of philosophising dogs, one of whom, a cocker spaniel/architectural critic, happened upon the one from that requires further examination: the provisional projection, the leaning greenhouse, the post-modern sickness of the mind, the Florida-Space. Other individuals submitted poems, like Bettine, Bettine’s Mother, a revolutionary caddisfly and former Stasi-agent who keeps a journal about her dreams. The texts have been annotated to aid the reader’s understanding.


Ann Cotten, the »brilliant-American-Austrian country bumpkin from Iowa« (Frankfurter Allgemeine Sonntagszeitung), has also joined this writing competition initiated by an alien power, delivering an impatient, profound exploration of our terrestrial existence.

»Ann Cotten receives the Hugo-Ball-Prize 2017 for her unique and inventive work. In her novels, essays, poems, or epic poems, she utilizes the possibilities of literary forms to their fullest extent and considers language to be a matter of art first and foremost. In her texts, politics, philosophy, and aesthetic calculations merge to oscillating creations that are dedicated to revolution as much as they are to beauty. Her works stand out among contemporary literature due to the fearlessness of her thinking. She questions that which seems to be self-evident, and unites the incongruous, yet the shocks that may be caused by this are counterbalanced by her clear and elegant style.« From the jury’s statement on the Hugo-Ball-Prize 2017

»Ann Cotten receives the Hugo-Ball-Prize 2017 for her unique and inventive work. In her novels, essays, poems, or epic poems, she utilizes the possibilities of literary forms to their fullest extent and considers language to be a matter of art first and foremost. In her texts, politics, philosophy, and aesthetic calculations merge to oscillating creations that are dedicated to revolution as much as they are to beauty. Her works stand out among contemporary literature due to the...

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2010, 285 pages
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Ann Cotten, born in Iowa in 1982, grew up in Vienna. She has been living in Berlin since 2006. In 2011, she spent four months in Nagoya, Japan. For her first poetry collection, Fremdwörterbuchsonette (2007), she was awarded the Reinhard Preissnitz Prize and the Clemens Brentano Prize for Literature of the City of Heidelberg. For Florida-Räume (2010) she received the Hermann Hesse Literature Prize. In 2014, Ann Cotten was awarded the Adelbert von Chamisso Prize; in 2015, she was the first recipient of the newly founded Klopstock Prize for Contemporary Literature. In 2017, she was awarded the Hugo-Ball-Prize for her oeuvre.

Ann Cotten, born in Iowa in 1982, grew up in Vienna. She has been living in Berlin since 2006. In 2011, she spent four months in Nagoya, Japan....


OTHER PUBLICATIONS

Ancestral Destructions
Year of Publication: 2023
Ann CottenYear of Publication: 2023

Is it the ancestors that are making the air heavy, crowding around the island? In the form of people, clouds, winds, fish, birds of the mountains, birds of the coast, migratory birds and seabirds that come to Hawaii to flirt, lay eggs, rest and then retreat back to the open sea?

Ancestral Destructions deals with the narrator's spiritual and material prehistory: that is...

Lyophilia
Year of Publication: 2019
Ann CottenYear of Publication: 2019

Ann Cotten has grown up, a fact that catapults us somewhat into the future. She claims that all she is interested in now is a constructive approach to a functioning, reasonable life for everyone (if possible). A philanthropic robot, so to speak. But her strangely labyrinthine yet overly respectful way of confronting problems still shows traces of the experiences she gathered as a young...

Banned!
Year of Publication: 2016
Ann CottenYear of Publication: 2016

Billowing palm trees, a rustle in the celery, a tiger disappears, an atomic bomb detonates in the distance, and a consciousness starts moving backwards. The latter belongs to a TV presenter who has been banished to a deserted island due to numerous instances of grave misconduct, equipped with (as per her own choice) a knife, a grindstone and Meyers...

The Quivering Fan
Year of Publication: 2013
Ann CottenYear of Publication: 2013
»… but as soon as the upper half of the eyelids close, a dangerous chaos begins.«

»I had several lovers into whose eyes, like in tea bowls, I wanted to immerse myself...
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Previously published in the respective language / territory; rights available again: Netherlands (Leesmagazijn)

Sonnets from the Dictionary of Borrowed Words
Year of Publication: 2007
Ann CottenYear of Publication: 2007

Weighed down by few associations, artificial, new, or existing in our everyday language merely temporarily – loan words seem to apologise for their existence: »I’m only fulfilling a conceptual function, occupying a job for which there’s no qualified German available at the moment.«


Could they be serious? Ann Cotten employs them in the rattling machines of thought...