English world rights (NYRB), Russia (Libra), Portuguese rights (Bazarov Edições), France (Gallimard; French paperback sublicence: Éditions Zoë), Italy (Adelphi), Poland (PIW), Hungary (Napkut), Greece (Kritiki), Israel (Hakibbutz Hameuchad)
Previously published in the respective language / territory; rights available again: Spain (Pre-Textos), Latin America (Editorial Universitario), Catalan rights (Acantilado), Netherlands (De Arbeiderspers), Denmark (Arena), Korea (EU), Japan (Choeisha), Slovenia (Serpa)
These essays, allegedly published from the estate of a deceased schoolboy, mark the beginning of Robert Walser’s literary career.
These essays, allegedly published from the estate of a deceased schoolboy, mark the beginning of Robert Walser’s literary career.
»A clairvoyant of the small.« W. G. Sebald
»If he had a hundred thousand readers, the world would be a better place.« Hermann Hesse
»A Paul Klee in prose, a good-humored, sweet Beckett, Walser is a truly wonderful, heartbreaking writer. In Walser’s fictions one is always inside a head, but this universe – and this despair – is anything but solipsistic. It is charged with compassion: awareness of the creatureliness of life, of the fellowship of sadness.« Susan Sontag
»Robert Walser moves me more and more […] He is truthful without making a frontal attack on the truth, he becomes truth by walking around it.« Elias Canetti
»To his eye, everything is equal; to his heart, everything is fresh and astonishing; to his mind, everything presents a pleasant puzzle. Diversion is his principal direction, whim his master, the serendipitous substance of his daily routine.« William Gass
»Was Walser a great writer? If one is reluctant to call him great, said Canetti, that is only because nothing could be more alien to him than greatness.« J. M. Coetzee, The New York Review of Books
»Everyone who reads Walser falls in love with him.« Nicholas Lezard, The Guardian
»A writer of considerable wit, talent and originality […] recognized by such impressive contemporaries as Kafka, Brod, Hesse and Musil […] [and] primarily known to German literary scholars and to English readers lucky enough to have discovered [his work] […] [Walser’s tales] are to be read slowly and savored […] [and] are filled with lovely and disturbing moments that will stay with the reader for some time to come.« Ronald De Feo, The New York Times
»The incredible shrinking writer is a major twentieth-century prose artist who, for all that the modern world seems to have passed him by, fulfils the modern criterion: he sounds like nobody else.« Benjamin Kunkel, The New Yorker
»The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser’s work often reads like a dazzling answer to the question, How immense can modesty be? If Emily Dickinson made cathedrals of em dashes and capital letters and the angle of winter light, Walser accomplishes the feat with, well, ladies’ feet and trousers, and little emotive words like joy, uncapitalized.« Rivka Galchen, Harper’s Magazine
»A clairvoyant of the small.« W. G. Sebald
»If he had a hundred thousand readers, the world would be a better place.« Hermann Hesse
»A Paul Klee in prose, a good-humored, sweet Beckett, Walser is a truly wonderful, heartbreaking writer. In Walser’s fictions one is always inside a head, but this universe – and this despair – is anything but solipsistic. It is charged with compassion: awareness of the creatureliness of life, of the fellowship of...
Robert Walser was born in Biel/Bienne in Switzerland in 1878 and died on a solitary walk in the snow on Christmas Day 1956, near the Herisau sanitarium.
Robert Walser was born in Biel/Bienne in Switzerland in 1878 and died on a solitary walk in the snow on Christmas Day 1956, near the Herisau...
Robert Walser has always inspired visual artists all around the world, including Thomas Hirschhorn, one of the most provocative and innovative contemporary artists, to whom Robert Walser is a...
Spanish world rights (Siruela)
Robert Walser as a letter-writer is yet to be discovered. His letters are not merely the private backboard to his work, but an integral part of it. Therefore, the Bern Edition of Walser’s Works opens with a new, comprehensive edition of his letters. They provide insight to the existential conditions of Walser’s »life as a poet« between Zurich, Berlin, Biel, Bern and Herisau.
In...
It is well known that Robert Walser jotted down prose texts, poems and dramatic scenes on more than 500 pieces of paper between 1924 and 1933 in a script that, for decades, was considered...
Selections from the Microscripts have been published in several languages. For further information regarding the rights status of individual texts in your territory please contact the respective Rights Manager
English world rights (New Directions), Spanish world rights (Siruela), Italy (Adelphi), Bulgaria (Funtasy), Turkey (Profil)
Domestic rights sales: German Audiobook (Diogenes)
»The Robber, Robert Walser’s last novel, tells the story of a dreamer on a journey of self-discovery. It is a hybrid of love story, tragedy, and farce, with a protagonist who sweet-talks...
English world rights (University of Nebraska Press), Spanish world rights (Siruela), France (Gallimard), Italy (Adelphi), Netherlands (Koppernik), Sweden (Faethon), Poland (PIW), Czech Republic (Opus), Latvia (Orbita), Turkey (Can), Ukraine (Zhupansky), Azerbaijan (Alatoran)
Previously published in the respective language / territory; rights available again: Portuguese rights (Relogio d'Agua), Denmark (Basilisk), Norway (Bokvennen), Slovenia (Nova Revija)
Spanish world rights (Siruela), Portuguese rights (Relogio d’Agua), France (Gallimard), Italy (Adelphi), Sweden (selection; Ariel – pp), Hungary (Napkut)
Previously published in the respective language / territory; rights available again: Slovenia (Serpa)
A pseudo-biographical »stroll« through town and countryside rife with philosophic musings, The Walk has been hailed as the masterpiece of Walser's short prose. Walking features heavily in...
USA (New Directions), UK (Serpent’s Tail), Spanish world rights (Siruela), Catalan rights (El Flâneur), Galician rights (Laiovento), Russia (Ad Marginem), Brazilian Portuguese rights (Editora 34), France (Gallimard), Italy (Adelphi), Netherlands (Lebowski/Dutch Media Group), Denmark (Batzer), Sweden (Faethon), Finland (Teos), Czech Republic (Opus), Slovakia (Premedia), Bulgaria (Critique & Humanism), Croatia (Fraktura / Bodoni), Greece (Gavrilidis), Kosovo / Albanian rights (Pa), Ukraine (Meridian Czernowitz Literature Foundation), Georgia (Ibis), Armenia (Antares), Azerbaijan (Alatoran), Iran (Dastan)
Previously published in the respective language / territory; rights available again: Chinese simplex rights (Shanghai Translation), Norway (Bokvennen), Hungary (Magvetö), Romania (Univers), Estonia (Tänapäev), Belorussia (Logvinau)
Domestic Rights Sales: Audiobook rights (Universal Music / Deutsche Grammophon)
France (Éditions Zoé), Poland (selection; Officyna)
Previously published in the respective language / territory; rights available again: Italy (Einaudi), Slovak Republic (Hronka), Hungary (Napkut)
English world rights (Serpent’s Tail / NYRB), Spanish world rights (Siruela), Catalan rights (Quaderns Crema), Basque rights (Erein), Brazilian Portuguese rights (Companhia das Letras), Portuguese rights (Relogio d’Agua), France (Gallimard), Italy (Adelphi), Netherlands (Lebowski), Denmark (Virkelig), Sweden (Faethon), Norway (Bokvennen), Finland (Teos), Iceland (Translation Centre at the University of Iceland), Japan (Choeisha), Thailand (Lighthouse Publishing), Poland (PIW), Czech Republic (Opus), Hungary (Scolar), Estonia (Tänapäev), Latvia (Mansards), Lithuania (Vaga), Croatia (Naprijed), Serbia (Ultimatum.rs), Slovenia (Beletrina), Bosnia (Gong), Turkey (Dogan), Greece (Printa), Macedonia (Templum), Albania (Pika pa sipërfaqe), Georgia (Ibis)
Domestic Rights Sales: German Audiobook (DAV)
Previously published in the respective language/territory; rights available again: Bulgaria (Narodna Kultura),
English world rights (New Directions), Spanish world rights (Siruela, Paperback Sublicense: Debolsillo, Latin American Sublicense: El Hilo de Ariadna), Catalan rights (Ed. 1984), Portuguese rights (Relogio d’Agua), France (Gallimard; French paperback sublicence: Éditions Zoë), Italy (Einaudi), Netherlands (Koppernik), Sweden (Modernista), Norway (Bokvennen), Finland (Teos), Japan (Choeisha), Poland (PIW), Czech Republic (Opus), Hungary (Scolar), Estonia (Perioodika), Lithuania (Pradai), Slovenia (Mihelač), Turkey (Can), Albania (Asdreni), Georgia (Ibis), Azerbaijan (Alatoran)
Previously published in the respective language / territory; rights available again: Brazilian Portuguese rights (Siciliano de Livros), Bulgaria (G. Danov)English world rights (New Directions), Spanish world rights (Siruela, Paperback Sublicense: Debolsillo), Catalan rights (Proa), Russia (Text), Brazilian Portuguese rights (Companhia das Letras), Portuguese rights (Relogio d’Agua), France (Gallimard), Italy (Adelphi), Netherlands (Koppernik), Sweden (Faethon), Norway (Bokvennen), Japan (Choeisha), Poland (PIW), Czech Republic (Opus), Slovakia (Smena), Hungary (Scolar), Estonia (Loomingu Raamatukogu), Slovenia (Pan), Bosnia (Connectum), Turkey (Can), Greece (Printa), Georgia (Ibis), India (Hindi), Israel (Am Oved)
Previously published in the respective language/territory; rights available again: Bulgaria (Colibri)