Talking about the weather, about anything, that is. Being understood, even if it’s just by someone who doesn’t even speak my language. Peter Bichsel’s columns can strike up a conversation with anyone, because his high art of storytelling deals with all sorts oft hings: the seasons and the weather, sporting and political events – but always with people, with stories of strangers and friends. The narrator voices his opinions and doubts, even about his own opinion. He aims at a statement by...
Talking about the weather, about anything, that is. Being understood, even if it’s just by someone who doesn’t even speak my language. Peter Bichsel’s columns can strike up a conversation with anyone, because his high art of storytelling deals with all sorts oft hings: the seasons and the weather, sporting and political events – but always with people, with stories of strangers and friends. The narrator voices his opinions and doubts, even about his own opinion. He aims at a statement by digressing, by segueing to another topic, pauses, only to tie it all together in a final volte. They are constantly moving, his columns, which keeps us alert; we are stimulated, we are entertained.
»If people read his books in a hundred years, they are going to […] encounter a polyphonic composition of a thousand nameless voices from today’s Switzerland. These voices whisper, talk, make noise, whisper and hum in a muddle. Still, each of them can be heard distinctly and behind it appears a living human face.« Peter von Matt
»Reading his columns is like a conversation with an old friend.« Martin Ebel, Deutschlandfunk
»Short texts about people who marvel at this world, who are amazed, who know about their own shortcomings – this the author has mastered like hardly any other, no matter for which age group.« Martina Sulner, Hannoversche Allgemeine Zeitung
»Newspaper columns are a fleeting genre, they are generally forgotten as quickly as they are read; but Peter Bichsel’s texts have something unique about them.« Martin Krumbholz, SWR
»What distinguishes Bichsel’s columns […] is the precise observation of things, of how people are and how they behave. And it‘s his passion for not being satisfied with the initial, obvious findings.« Beda Hanimann, St. Galler Tagblatt
»Bichsel‘s true great novel, his secret magnum opus, are these columns ...« Beat Mazenauer and Severin Perrig
»The slender collection showcases Peter Bichsel in all his facets. As a columnist, he is always a sceptic and looks behind things with his curious child-like eyes […] The columns were and are his ›daily business‹, which has become […] our rewarding, enjoyable reading experience.« Manfred Orlick, literaturkritik.de
»Bichsel‘s columns from 2012–2015 show his view of people‘s ›suffering of life‹, his love for people.« P.S., die linke Zürcher Zeitung
»If people read his books in a hundred years, they are going to […] encounter a polyphonic composition of a thousand nameless voices from today’s Switzerland. These voices whisper, talk, make noise, whisper and hum in a muddle. Still, each of them can be heard distinctly and behind it appears a living human face.« Peter von Matt
»Reading his columns is like a conversation with an old friend.« Martin Ebel, Deutschlandfunk
»Short texts about people who...
The first of Peter Bichsel‘s P.S.-columns, which have become an institution sui generis over the course of four decades, was published in Zurich’s Tages-Anzeiger in 1975. But even in the 1960s, the author had been writing numerous journalistic contributions and columns on questions of the times, that accompanied his early successes as a literary storyteller. Beat...
Peter Bichsel tells the story of Cherubin Hammer, who thinks that he is a writer and is trying, unsucessfully, to live the biography of a writer. He confronts him with a second Cherubin hammer, a...
France (Héros-Limite)
Previously published in the respective language / territory; rights available again: Italy (Marcos y Marcos)
Whether he talks about the suffering of professional footballers or about a strange journey on a train through Egypt, whether he chats about life in New York or an old postman who delivered his...
Previously published in the respective language / territory; rights available again: Italy (Marcos y Marcos)
»I believe«, says Peter Bichsel, »that the importance of literature lies not in conveying content but in maintaining storytelling. Because people need stories to survive. They...
Thailand (Gamme Magie Éditions), Azerbaijan (Alatoran), Iran (Nashr-i Naw)
Previously published in the respective language / territory; rights available again: French rights (Éditions d’en bas), Italy (Marcos y Marcos), Norway (Gyldendal Norsk), Turkey (Ayrac), India (Bengali, Tarjama Books), India (English, Tarjama Books), Israel (Babel)
Buzzard is a rich, homesick native of Solothurn with whose money Solothurn’s historic city centre is »beautified« (and made unlivable). Buzzard, however, is also the name of the...
French rights (Éditions d’en bas), Italy (Casagrande)
Previously published in the respective language / territory; rights available again: Spanish world rights (Espasa Calpe), Norway (Damm & Søn)
Peter Bichsel‘s five lectures from 1982 are not actually lectures but stories about lectures. They are refreshingly unpretentious and always exceedingly subtle – just as his works of fiction. At...
Turkey (Ketebe)
Previously published in the respective language / territory; rights available again: Italy (Comma 22), Denmark (Gyldendal), Sweden (Janus), Croatia (Naklada MD)
Catalan rights (Los Cuarto), France (Attila), Finland (Otava), Korea (Wisdomhouse), Japan (Asahi), Thailand (Gamme Magie Éditions), Slovakia (Milanium), Lithuania (Pamėginčius), Turkey (Ketebe), Azerbaijan (Alatoran), Iran (Aftabkaran)
Previously published in the respective language / territory; rights available again: UK (Calder & Boyars), USA (Delacorte), Spanish world rights (Santillana), Basque rights (Erein), Galician rights (Edición Obraidoro), Brazilian Portuguese rights (Atica), Portuguese rights (selection; ASA), Italy (Marcos y Marcos), Romanic rights (Uniun dals Grischs), Netherlands (Van Goor), Denmark (Gyldendal), Sweden (Norstedt & Söner), Norway (Gyldendal Norsk), Poland (Longin Studio), Czech Republic (Host), Hungary (Holnap), Romania (RAO), Estonia (Kirijastus Ilmamaa), Croatia (Stajer-Graf), Serbia (Draganic), Slovenia (LUD Literatura), Greece (Ekdoseis Epikuros), Macedonia (Kultura), Ukraine (Golovna Specializovana Redakcija), Belorussia (Logvinau), Georgia (Bakur Sulakauri), India (Hindi; Saar Sansaar), India (Urdu; Punjab Book Department)
This the story of a house, an ordinary residential house, and the people and objects in it. The author raises the inventory and he invents a character, who is called Kieninger. Kieninger rents a...
France (Gallimard), Turkey (Ketebe)
Previously published in the respective language / territory; rights available again: Italy (Comma 22), Netherlands (Meulenhoff), Denmark (Arena), Sweden (Norstedt), Korea (Bookstory), Poland (Państwowy Instytut Wydawniczy), Czech Republic (Odeon)
Catalan rights (Lleonard Muntaner Editor), Thailand (Gamme Magie Éditions), Georgia (Intelekti), Iran (Aftabkaran)
Previously published in the respective language / territory; rights available again: UK (Calder & Boyars), Spanish world rights (Espasa Calpe), France (Gallimard), Italy (Marcos y Marcos), Denmark (Gyldendal), Sweden (Norstedt & Söner), Norway (Gyldendal Norsk), Korea (Munhakdongne), Hungary (Bookart), Croatia (Mlinarec & Plavic), Slovenia (LUD Literatura), Turkey (Kabalci), Greece (Grammata), Belorussia (Logvinau)