English world rights (FSG), Spanish world rights (Alianza), Catalan rights (Alianza), Chinese simplex rights (Horizon), Chinese complex rights (Ecus), Russia (Eksmo), Portuguese rights (Relogio d'Agua), Arabic world rights (Kalima), France (Gallimard), Italy (Guanda), Sweden (Bonniers), Finland (Lurra), Estonia (Eesti Raamat), Serbia (Laguna), Greece (Gutenberg)
The Fruit Thief is nothing less than the book of the world: within it everything is possible, in both a positive as well as a negative sense. And reading it means: to have new experiences beyond everything previously imagined or depicted. In sum: a brand new novel from Peter Handke.
Peter Handke’s latest novel recounts three days in the life of the fruit thief: on an August day shortly before her departure for Picardy, the wanderer meets her father who wants to give her a...The Fruit Thief is nothing less than the book of the world: within it everything is possible, in both a positive as well as a negative sense. And reading it means: to have new experiences beyond everything previously imagined or depicted. In sum: a brand new novel from Peter Handke.
Peter Handke’s latest novel recounts three days in the life of the fruit thief: on an August day shortly before her departure for Picardy, the wanderer meets her father who wants to give her a few pointers on how she should act. Alexia, as she is known, and her mother, the banker, had made amends after she travelled around the world. Now, during her stay in Ile-de-France, Alexia renounces her favourite (illegal?) pastime in order to prepare for something new. But what? The experience of the landscape? The risk of friendship? Or everything? And, most of all, adventure itself? Alexia’s openness allows her to experience everyday life in an exceptionally intense way and provides her with an experience of the world in images from never-before-known dimensions. »What she experienced in the three days of her trip into the interior: strange. Or not? No, strange indeed. Enduringly strange. Eternally strange.«»It’s very appealing that the The Fruit Thief flitters between a character of flesh and blood and a phantasm throughout the entire story.« Frankfurter Allgemeine Zeitung
»In contrast to what the author might believe, the strength of this, as well as his other epic projects, does not lie in the world-spanning gesture of the narrator. But instead in the passages where he allows his Doppelgänger to go first, the drafter of notes and the master of prose of the present moment.« Süddeutsche Zeitung
»Like all of Handke’s books, The Fruit Thief is a very strange book, one that is aware of its strangeness. It contains marvellous and unusual things and, as one might expect in the case of a modern Parzival, the occasional wound – which the narration cannot heal, but at most cover.« Die literarische Welt
»In short, this book is a delight, an additional milestone in the oeuvre of one of the great authors of our time.« WDR
»Transformation is the keyword in Handke’s project of a new epic narration.« Tages-Anzeiger
»Peter Handke’s new novel The Fruit Thief is this autumn’s sensation.« profil
»It’s very appealing that the The Fruit Thief flitters between a character of flesh and blood and a phantasm throughout the entire story.« Frankfurter Allgemeine Zeitung
»In contrast to what the author might believe, the strength of this, as well as his other epic projects, does not lie in the world-spanning gesture of the narrator. But instead in the passages where he allows his Doppelgänger to go first, the drafter of notes and the...
Peter Handke, born in 1942 in Griffen, Austria, lives near Paris. His books have been translated into more than 35 languages. In 2019, he was awarded the Nobel Prize in Literature.
Peter Handke, born in 1942 in Griffen, Austria, lives near Paris. His books have been translated into more than 35 languages. In 2019, he was...
Gregor returns home from another continent. The landscape, formerly characterised by its many villages, has become an urban agglomeration, both familiar and foreign at the same time. His family...
English world rights (FSG), Spanish world rights and Catalan (Alianza), Sweden (Faethon), Turkey (Sia Kitap), Greece (Hestia)
Since the early seventies, Peter Handke has filled thousands of pages in notebooks. The slim books, which have to fit in every shirt and jacket pocket, are indispensable companions on every journey. They are used to record ideas for literary projects, but, most importantly, things that Handke has seen, read and heard. »I practised reacting to everything that happened to me immediately...
Spanish world rights (Alianza), Catalan rights (Alianza), France (Gallimard), Italy (Guanda), Sweden (Faethon), Iran (Farhange Javid Publishing)
His surroundings see him as a man possessed, »possessed not just by one, but by several, many, even countless demons«. During the day, he, a fruit grower by profession, walks through the village....
English world rights (FSG), Spanish world rights (Alianza), Catalan rights (Alianza), France (Gallimard), Italy (Guanda), Sweden (Faethon), Norway (Pelikanen), Finland (Lurra), Poland (Eperons Ostrogi), Serbia (Laguna), Slovenia (Beletrina)
»An extensive scene«, a public place, »definitely not a free space«; possibly in the Spanish province of Avila or in Humpolec in Bohemia, now or at another time. A narrator who is one of...
Returning to the area southwest of Paris after years of being on the road, three days later the hero was forced to set out again. In contrast to previous explorations of the world, this time he...
English world rights (FSG), Spanish world rights (Alianza), Catalan rights (Alianza), Chinese simplex rights (Horizon), Chinese complex rights (Ecus), Russia (Eksmo), Brazilian Portuguese rights (Estação Liberdade), Portuguese rights (Relógio D’Água), France (Gallimard), Italy (Guanda), Netherlands (Wereldbibliotheek), Denmark (Batzer), Norway (Pelikanen), Poland (Eperons-Ostrogi), Romania (ART), Serbia (Laguna), Greece (Hestia), Armenia (Antares)
Italy (Guanda)
USA (FSG), Chinese simplex rights (Horizon), Brazilian Portuguese rights (Estaçao Liberdade), Arabic world rights (Sefsafa), France (Gallimard), Italy (Guanda), Denmark (Batzer), Sweden (Faethon), Finland (Lurra), Poland (Eperons Ostrogi), Serbia (Laguna), Slovenia (Mohorjeva založba/Hermagoras), Greece (Hestia)
USA (FSG), Spanish world rights (Alianza), Chinese simplex rights (Horizon), Brazilian Portuguese rights (Estaçao Liberdade), Portuguese rights (Relogio d'Agua), Arabic world rights (Sefsafa), France (Gallimard), Italy (Guanda), Denmark (Batzer), Sweden (Faethon), Poland (Eperons Ostrogi), Serbia (Laguna), Greece (Hestia)
Spanish world rights (Casus Belli), France (Bruit du Temps), Italy (Quodlibet), Norway (Samlaget), Japan (Ronsosha), Serbia (Laguna), Slovenia (Hermagoras/Mohorjeva založba),
English world rights (Seagull), Spanish world rights (Alianza), Catalan rights (Rayo Verde), Chinese simplex rights (Horizon), Brazilian Portuguese rights (Estação Liberdade), Portuguese rights (Relogio d'Agua), Arabic world rights (Kanaan), France (Gallimard), Denmark (Rod & Co.), Norway (Paperback edition: Pelikanen), Finland (Lurra), Poland (Eperons-Ostrogi), Czech Republic (Rubato), Bulgaria (Paradox), Serbia (Laguna), Greece (Hestia), Macedonia (Ars Lamina), Georgia (Intelekti)
Previously published in the respective language / territory; rights available again: Italy (Garzanti)
English world rights (Seagull), Spanish world rights (Casus Belli), Chinese simplex rights (Horizon), Arabic world rights (Kalima), France (Bruit du Temps), Italy (Quodlibet), Netherlands (Van Oorschot), Slovenia (Wieser), Serbia (Laguna)
Previously published in the respective language / territory; rights available again: Norway (Samlaget)
»Described as an answer to or at least an echo of Samuel Beckett’s Krapp’s Last Tape?, Till Day You Do Part Or A Question of Light is a monologue delivered by the ›she‹ in...
English world rights (Seagull), Spanish world rights (Casus Belli), Italy (Quodlibet), Bengali rights (Parampara)
Previously published in the respective language / territory; rights available again: Bulgaria (Black Flamingo)
France (Différence), Sweden (Karneval), Serbia (Prometej)
English world rights (FSG), Spanish world rights (Pocketbook edition: Alianza), Chinese simplex rights (Horizon), Brazilian Portuguese rights (Estação Liberdade), Portuguese rights (Relogio d'Agua), Arabic world rights (Aser-Elkotob), France (Gallimard), Netherlands (Wereldbibliotheek), Serbia (Laguna), Georgia (Intelekti)
Previously published in the respective language / territory; rights available again: Italy (Garzanti), Finland (Lurra)
Peter Handke’s last novel Don Juan reported on his experiences with women during a world trip. At the time, Neue Zürcher Zeitung wrote: »This is Handke-country, in a way that no...
Spanish world rights (Alianza), Chinese simplex rights (Horizon), France (Gallimard), Italy (Garzanti), Netherlands (Wereldbibliotheek), Denmark (Gyldendal), Poland (Eperons-Ostrogi), Turkey (Can)
His relationship with Serbia and Slobodan Miloševic not only brought Handke a lot of criticism, they also led to a lot of undifferentiated defamation. In Paris, one of his plays was removed from...
Spanish world rights (Tresmolins), Sweden (Karneval), Serbia (Prometej)