USA (New Directions), Chinese simplex rights (Shanghai Lucidabooks), Serbia (Fabrika), Greece (Kritiki)
Previously published in the respective language / territory; rights available again: Spanish world rights (RBA), Russia (Progress), France (Laffont), Netherlands (Thoth), Norway (Bokvennen), Finland (Kirjayhtymä Oy), Czech Republic (Academia), Slovenia (PAN), Israel (Carmel)
Domestic Rights Sales: German Audiobook (DAV)
»Koeppen's work consists, as does that of all writers, of books of varied degrees of importance. I myself appreciate the early novel A Sad Affair, Death In Rome and the fragment Youth in particular. But I regard the fantastic novel Pigeons on the Grass, published in 1951, as the most important book in Koeppen's oeuvre, too little known now as it was then. Those who haven't read this novel cannot claim to know German literature after 1945.« Marcel...
»Koeppen's work consists, as does that of all writers, of books of varied degrees of importance. I myself appreciate the early novel A Sad Affair, Death In Rome and the fragment Youth in particular. But I regard the fantastic novel Pigeons on the Grass, published in 1951, as the most important book in Koeppen's oeuvre, too little known now as it was then. Those who haven't read this novel cannot claim to know German literature after 1945.« Marcel Reich-Ranicki
In 1951, Wolfgang Koeppen accomplished a first critical inventory of the social and political conditions that were under restoration in Germany with his novel Pigeons on the Grass. His sketches of figures and events of a single day in the Munich of 1949, which is described as an impenetrable »pandemonium«, appear in front of our eyes as if observed through a kaleidoscope.
»Koeppen’s voice – cold, defiant and relentless in its fury at the deadly amnesia he saw emerge from Germany’s ruins after World War II – neither transforms nor imbues the world around him, but rather indicts it.« The New York Times
»Scathing, disillusioned novel ridiculing the notion of a new start and a clean slate for West Germany. Pigeons on the Grass is set in Munich on a single day and its 105 short fragments reveal the failure of more than thirty characters to face up to reality.« London Review of Books
»In a many-toned language Koeppen not only depicts a cacophonous world but peoples that world with individuals whose lives barely overlap. The result documents a uniquely German situation; it also, with its echoes of James Joyce and John Dos Passos, reconnects the German novel at a surprisingly early date to modernist fiction.« The Independent
»Germany’s greatest living writer.« Günter Grass
»A modernist tour of Munich over the course of one eventful day in 1948. The novel’s roving consciousness deliberately blurs the boundaries between the characters’ minds, turning Munich into one large, pulsing brain – exhilarating and original.« Andrew Martin, Harper’s Magazine
»Scathingly beautiful – lyrically inescapable.« Nadine Gordimer
»a forgotten masterpiece.« The Evening Standard
»Almost eerily contemporary in its concerns, and remarkable as a sidelong, searing appraisal of the legacy of the Nazi years, it is a recovered masterpiece.« Publishers Weekly
»A kaleidoscopic narrative that follows a disparate cast of characters whose lives accidentally intersect during a single day in Munich, Germany, in 1948. [...] this portrait of despair and endurance amid postwar ruin is nothing less than a miniature masterpiece.« Kirkus
»Koeppen’s masterwork soars.« Publishers Weekly
»Koeppen’s voice – cold, defiant and relentless in its fury at the deadly amnesia he saw emerge from Germany’s ruins after World War II – neither transforms nor imbues the world around him, but rather indicts it.« The New York Times
»Scathing, disillusioned novel ridiculing the notion of a new start and a clean slate for West Germany. Pigeons on the Grass is set in Munich on a single day and its 105 short fragments reveal the failure of more than thirty...
Wolfgang Koeppen was born on June 23, 1906 in Greifswald and died on March 15, 1996 in Munich. After spending eleven years in Ortelsburg (East Prussia), he returned to Greifswald in 1919. Due to financial reasons he had to leave grammar school and change to a lower secondary school, which he left without obtaining a diploma. After that, he dabbled in many different professions: he worked in a bookshop and at Greifswald's city theatre. As a commis chef he went to Sweden and Finland; in Würzburg he worked as a dramaturge. In 1927 he settled down in Berlin, where he began to work as an editor at the Berliner Börsen-Courier in 1931. He stayed there for two years. He wrote reportages, for the feuilleton, and started on his first literary works. His first novel,...
Wolfgang Koeppen was born on June 23, 1906 in Greifswald and died on March 15, 1996 in Munich. After spending eleven years in Ortelsburg (East...
To be like Erik just once! That’s what Andreas has always wanted, and that’s why he has been trying to make friends with Erik – always polite, enviably relaxed, but ultimately unapproachable –...
France (Gallimard)
Wolfgang Koeppen once stated that no bibliography could ever exist that drew up a comprehensive list of all the newspaper contributions issuing from his pen. Jörg Döring has refuted this pessimism with this volume of the Complete Works. The complete overview of the feuilleton pieces is the result of a meticulous autopsy of almost every publication mouthpiece where Koeppen had the opportunity...
Youth, published in 1976, is the only longer prose work that Wolfgang Koeppen completed after refraining from the genre for almost twenty years. Youth is composed of a...
English world rights (Dalkey Archive), France (Hachette)
Previously published in the respective language / territory; rights available again: Russia (Progress), Netherlands (Querido), Japan (Dogakusha), Poland (Czytelnik), Czech Republic (Odeon), Bulgaria (Narodna Kultura)
Domestic Rights Sales: German Audiobook (Der Hörverlag)
Daybreak leads into the centre of Hans-Ulrich Treichel’s writings, up and close to the pain points of loss and forlornness. This is the powerful, doleful story of a woman who...
France (Gallimard)
Early Disturbance is the story of a...
France (Gallimard)
France (Gallimard), Poland (Czytelnik)
France (Gallimard)
English world rights (Pantheon), Chinese simplex rights (People’s Literature Publishing House), Russia (AST), France (Hachette), Italy (Neri Pozza), Netherlands (Ambo|Anthos), Denmark (Lindhardt & Ringhof), Norway (Pax), Bulgaria (Atlantis), Turkey (Iletisim)
Denmark (Lindhardt & Ringhof)
Previously published in the respective language / territory; rights available again: Spanish world rights (Galaxia Gutenberg), Russia (Limbus), Brazilian Portuguese rights (Companhia das Letras), Italy (Einaudi), Netherlands (Ambo|Anthos), Sweden (Wahlström & Widstrand), Norway (Pax), Poland (Czytelnik), Lithuania (Alma Littera)
USA (Pantheon), Denmark (Lindhardt & Ringhof), Lithuania (Sofoklis), Slovenia (Družina)
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In 1954, Wolfgang Koeppen published Death In Rome, the conclusion of a series of novels that are regarded today as the critical inventory of the early years of the German Federal...
English world rights (Granta / Penguin), Chinese simplex rights (Shanghai Lucidabooks), France (Typhon), Netherlands (Cossee), Turkey (Kültür Yayinlari Iş), Greece (Kritiki), Macedonia (Ad Verbum)
Previously published in the respective language / territory; rights available again: Spanish world rights (RBA), Catalan rights (La Magrana), Russia (Progress), Italy (Zandonai), Norway (Bokvennen), Poland (PIW), Czech Republic (Academia), Slovakia (Slovensky Spisovatel), Hungary (Europa), Bulgaria (Narodna Kultura), Latvia (Liesma), Slovenia (Mladinska Knijga)
Bonn, March 1953: the days of the debates on re-militarization and Germany's accession to the European Defense Community become a fiasco for Keetenheuve, a member of parliament for the Social...
Chinese simplex rights (Shanghai Lucidabooks)
Previously published in the respective language / territory; rights available again: English world rights (W.W.Norton; UK sublicense: Granta), Spanish world rights (RBA), Russia (Progress), Netherlands (Thoth), Finland (Kirjaythymä), Poland (PIW), Czech Republic (Academia), Slovakia (Slovensky Spisovatel), Hungary (Europa), Latvia (Liesma)
A romantic roman à clef that tells the story of Sibylle, one of the greatest literary femmes fatales since Salomé.
A romance that anticipated Beat...
Previously published in the respective language / territory; rights available again: English world rights (W.W. Norton), France (Albin Michel), Norway (Bokvennen), Finland (Karisto)