English world rights (Polity), Spanish world rights (Catarata), France (Presses du réel), Italy (Quodlibet), Denmark (Reitzels), Korea (Saemulgyul), Poland (National Centre for Culture)
Be creative! In today’s society the pressure and the desire to be creative and to produce ever newer things is extraordinarily widespread.
What was once reserved for the artistic sub-culture has now become a universal model of culture, a cultural imperative, in fact. Andreas Reckwitz explores how the ideal of creativity gathered steam over the course of the 20th century: in avant-garde and postmodern art, in the ‘creative industries’ and the innovation economy, in the psychology of creativity and personal growth as well as in the depiction of creative stars by the media and in the urban planning of ‘creative cities’.
In the course of his investigation, Reckwitz shows how we are living in an age dominated by radical and restrictive processes of societal aestheticisation.
»With great acuity and scientific documentation, cultural scientist Andreas Reckwitz explains why creativity is today seen as a ›natural‹, human faculty, that we consider to be indispensible for our personal development and expression.« Frankfurter Rundschau
»Reckwitz excels in his ability to distil the results of these studies into a concise and coherent analysis. This book is unquestionably worth reading – for anyone who wonders if and why they need, and want, to be creative all the time.« dradio.de
»It is astonishing, as Reckwitz cogently argues, that it is not that the economy has systematically undercut and commercialised the field of creativity, but that on the contrary creativity itself has long since become the driving force and the essential characteristic of today’s global economy. As a result, this is not a book exclusively for cultural sociologists and creative professionals, but rather for anyone who would like to understand what drives our society today and where it is headed.« Fixpoetry
»The Invention of Creativity by Andreas Reckwitz, published as part of the Suhrkamp Taschenbuch Wissenschaft series, is truly a revelation. While everyone is busy falling for the hype surrounding creativity and declaring it a basic human trait with the motto ›everyone’s creative‹, Reckwitz pulls the sociological emergency brake and questions the wholesale stylisation of creativity as a norm, as dogma – with the slogan: ›We want to be creative; and we have to be creative‹. The book is not a mere historical reconstruction, however, but rather an ambitious attempt to understand creativity and our insatiable appetite for novelty through the lens of sociological theory.« changeX
Andreas Reckwitz, born in 1970, is professor of Social Theory and Cultural Sociology at the Humboldt University of Berlin. His 2017 book Die Gesellschaft der Singularitäten was nominated for the Prize of the Leipzig Book Fair and awarded the Bayrischer Buchpreis. He was awarded the Leibniz Prize in 2019 and was a Fellow at the Thomas Mann House in Los Angeles in 2022.
Andreas Reckwitz, born in 1970, is professor of Social Theory and Cultural Sociology at the Humboldt University of Berlin. His 2017 book Die...
Netherlands (Boom)
In times of profound social upheavals and manifest crises, there is a need for fundamental analyses that take a look at contemporary society as a whole, examine its structural features and...
English world rights (Polity), Spanish world rights (NED Ediciones), Chinese simplex rights (Shanghai People’s Publishing House), Chinese complex rights (Wu-Nan), France (MSH), Denmark (Reitzels), Korea (Saemulgyul)
Up until just a few years ago, Western societies seemed to be moving forward in the assumed certainty of social progress: the worldwide triumph of democracy and the market economy seemed...
English world rights (Polity), Spanish world rights (Nola), Chinese simplex rights (Social Sciences Academic Press), France (MSH), Denmark (Reitzels), Norway (Cappelen Damm Akademisk), Korea (Saemulgyul), Japan (Jimbun Shoin), Croatia (TIM Press), Turkey (Kültür Yayinlari), Greece (Alexandria)
The particular is the clincher and the unique is prized while the general and the standardised remain, on the contrary, rather unattractive. The average person with his or her average life...
English world rights (Polity), Spanish world rights (Katz), Chinese simplex rights (Social Sciences Academic Press), Chinese complex rights (Business Weekly Publications), Russia (Directmedia), Brazilian Portuguese rights (ContraCorrente), Arabic world rights (Sefsafa), France (MSH), Italy (Meltemi), Denmark (Reitzels), Korea (Saemulgyul), Japan (Iwanami Shoten), Czech Republic (Nakladatelství Filosofia Filosofického), Hungary (Gondolat), Bulgaria (KX – Critique and Humanism), Slovenia (Krtina)