»The way Karahasan manages to control the extensive subject matter proves superior mastery. The novel combines the developments and complexities into a pulsating narrative body that connects the political with the personal, the monumental with the intimate and the epic with the dialogical. […] If one looks for works of similar dimension and power, Ivo Andrić’s, Leo Tolstoy’s and Fjodor Dostoyevsky’s great novels will come to mind, but so will The Magic Mountain and The Man Without Qualities.« Andreas Breitenstein, NZZ

»A novel that reaches far back into history, yet remains contemporary, that combines an opulent joy of narration and the delight in meticulously researched historic details with timeless, dense reflection and intelligently thought-out formal precision.« Sigrid Löffler, Salzburger Nachrichten

»[…] through his intimate knowledge of the Orient and his distinctive fondness for the narrating detail, this writer creates a world that is worth immersing oneself in.« Tobias Schwartz, Der Tagesspiegel

»[Karahasan’s] books are utterly contemporary, but timeless in a very sophisticated way at the same time. […] in his typical mixture of skepticism and humour, in his passion for narrating and the masterfully embedded ovation to narrating, Karahasan also delivers a subtext: As long as you can still tell stories, meaning can be found in the act of narration itself.« Helmut Böttinger, Deutschlandradio Kultur

»Dževad Karahasan masterfully plays with the possibilities of remembering and of narrating« Ivona Jelcic, Tiroler Tageszeitung

»Karahasan delivers nothing less than an epochal masterpiece on the power of suspicion, the origin of secret services and of political terrorism.« Mirko Schwanitz, BR Bayern 2

»The Solace of the Night Sky is one of those rare books that, after 700 pages, you put aside with regret.« whl, OÖN

»a literary event […] It is immediately perceptible that this is not a ›historical novel‹ in the usual sense. The prose is too visionary, too transgressive; it never drifts off into historical banter which is why its style is especially convincing. It’s a way of narrating that forgoes any sort of effect and in that way becomes all the more powerful. […] Certainly one of the most important and unforgettable novels that have been published in recent years« Roland Freisitzer, sandammeer.at