UK & Commonwealth (Methuen Drama), Brazilian Portuguese rights (Editora 34), France (L’Arche), Italy (L’Orma), Netherlands (Jurgen Maas), Japan (Shobunsha), Greece (Kritiki)
Previously published in the respective language / territory; rights available again: Spanish world rights (Edicusa), Denmark (Gyldendal), Sweden (Albert Bonniers), Norway (Aschehoug), Finland (Tammi), Poland (PIW), Czech Republic (Mladá Fronta), Estonia (Kirjastus Perioodika), Croatia (Zajednica Nijemaca u Hrvatskoj), Turkey (Er Tu Matbaasi), Iran (Ibtikar-i Nau), Israel (Schocken)
The dialogues in Refugee Conversations, written in the early 1940s, deal with the everyday life of those expelled from Germany, represented by the intellectual Ziffel and the worker Kalle, who are talking about the international (German troops have occupied Denmark and Norway and are advancing in France) and their own situation in a cafe in Helsinki’s main railway station: »The passport is man‘s most precious organ.«
»[…] Refugee Conversations is a...
The dialogues in Refugee Conversations, written in the early 1940s, deal with the everyday life of those expelled from Germany, represented by the intellectual Ziffel and the worker Kalle, who are talking about the international (German troops have occupied Denmark and Norway and are advancing in France) and their own situation in a cafe in Helsinki’s main railway station: »The passport is man‘s most precious organ.«
»[…] Refugee Conversations is a delightful work that reveals Brecht as a master of comic satire. Written swiftly in the opening years of the Second World War, the dialogues have an urgent contemporary relevance to a Europe once again witnessing populations on the move.
The premise is simple: two refugees from Nazi Germany meet in a railway cafe and discuss the current state of the world. They are a bourgeois Jewish physicist and a left-leaning worker. Their world views, their voices and their social experience clash horribly, but they find they have unexpected common ground – especially in their more recent experience of the surreal twists and turns of life in exile, the bureaucracy, and the pathetic failings of the societies that are their unwilling hosts.
Their conversations are light and swift moving, the subjects under discussion extremely various: beer, cigars, the Germans' love of order, their education and experience of life, art, pornography, politics, ›great men‹, morality, seriousness, Switzerland, America ... despite the circumstances of both characters there is a wonderfully whimsical serendipity about their dialogue, the logic and the connections often delightfully absurd.« (book description from the English edition by Methuen Drama)
Persons
Bertolt Brecht
Bertolt Brecht was born on 10 February 1898 in Augsburg and died on 14 August 1956 in Berlin. From 1917 to 1918, he studied natural sciences, medicine, and literature at Ludwig Maximilian University in Munich. He was forced to interrupt his studies in 1918, however, after being drafted into military service as a medic at an Augsburg military hospital. Brecht began writing plays while still a student. From 1922, he worked as a dramaturge at the Munich Kammerspiele. From 1924 to 1926, he was director at Max Reinhardt's Deutsches Theater in Berlin. In 1933, as the Nazis rose to power, Brecht left Berlin with his family and friends and fled via Prague, Vienna, and Zurich to Denmark, later moving to Sweden, Finland, and the US. In addition to plays, Brecht also...
Bertolt Brecht was born on 10 February 1898 in Augsburg and died on 14 August 1956 in Berlin. From 1917 to 1918, he studied natural...
OTHER PUBLICATIONS

Bertolt Brecht's Postil
France (L'Arche), Denmark (Multivers), Japan (Shobunsha)
Previously published in the respective language / territory; rights available again: Catalan rights (Adesiara), Italy (Einaudi), Korea (Moonhak Kwa Jisung)

Stories of Mr. Keuner
This situation is typical of the Stories of Mr. Keuner: a...
France (L'Arche), Greece (Kastaniotis)

»i’m learning: to wash glasses + cups«
i’m learning: to wash glasses + cups, sweep the floor, take out the rubbish, make scram-bled eggs and soups. i’m teaching myself. i feel very close to you when i’m washing glasses, which you have done for so long, among other things.«
The Brecht Archive was recently able to acquire the »Victor N. Cohen Brecht...