Lives of the Voice

An Essay on Closeness
Suhrkamp | Insel
Rights sold to:

English world rights (Stanford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP)


Lives of the Voice / Leben der Stimme
An Essay on Closeness
What does the voice mean for our lives?

When it comes to understanding the ontology of individual existence—that is, the everyday behaviors that we all perform and hardly ever think about—the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht...

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When it comes to understanding the ontology of individual existence—that is, the everyday behaviors that we all perform and hardly ever think about—the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" —referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Barthes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.

»A highly personal, even truly intimate book. Longtime fans and admirers of Gumbrecht's work will appreciate the personal nature of his approach in this book, and new readers will discover the voice of an elder statesman in academia.« Niklaus Largier, University of California, Berkeley

»A spirited defense of how our closeness to each other is shown through the many lives of the voice, and the first book ever to give serious simultaneous consideration to Julius Caesar and Janis Joplin.« Miguel Tamen, University of Lisbon

»This inspiring book shows how voice creates a common space, a mood, an atmosphere. It defines our place in the world, makes history possible, expresses the power of imagination, and opens a way to transcendence.« Thomas Pavel, The University of Chicago

»Gumbrecht is one of our most astute observers of reality today. He reveals moments of existential density like no one else, inviting his readers to listen inward to the voices that redound to the call of art and existence.« Tone Roald, University of Copenhagen
»A highly personal, even truly intimate book. Longtime fans and admirers of Gumbrecht's work will appreciate the personal nature of his approach in this book, and new readers will discover the voice of an elder statesman in academia.« Niklaus Largier, University of California, Berkeley

»A spirited defense of how our closeness to each other is shown through the many lives of the voice, and the first book ever to give serious simultaneous consideration to Julius Caesar and Janis...
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2025, 268 pages
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Persons

Hans Ulrich Gumbrecht was born in 1948. He has been teaching at Stanford University since 1989, where he is the Albert Guérard Professor in Literature. In addition to numerous visiting professorships, he has received eight honorary doctorates.

Hans Ulrich Gumbrecht was born in 1948. He has been teaching at Stanford University since 1989, where he is the Albert Guérard Professor in...


OTHER PUBLICATIONS

»Prose of the World«
Year of Publication: 2020
Hans Ulrich GumbrechtYear of Publication: 2020

Philosopher and translator, critic and writer, art agent and encyclopaedist: Denis Diderot, born in Champagne in 1713, died in Paris in 1784, was one of the defining figures of the movement that...

Rights sold to:

English world rights (Standford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP)

After 1945
Year of Publication: 2012
Hans Ulrich GumbrechtYear of Publication: 2012

The atomic bomb and the Cold War, but also the German currency reform and that country‘s first soccer Wold Championship (called the »Miracle of Bern«); these are the hallmarks of...

Rights sold to:

English world rights (Stanford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP), Poland (Krytyka Polityczna)

Our Broad Present
Year of Publication: 2010
Hans Ulrich GumbrechtYear of Publication: 2010
Hans Ulrich Gumbrecht’s new book, Our Broad Present, outlines a present of simultaneities, a present that is trapped between a threatening future that can no longer be planned, and a...
Rights sold to:

English world rights (Columbia UP), Brazilian Portuguese rights (UNESP), Italy (Bompiani), Turkey (Insan)

In Praise of Athletic Beauty
Year of Publication: 2005
Hans Ulrich GumbrechtYear of Publication: 2005
There is no more widespread or intense fascination in present-day culture than sports (both as an active physical practice, and as spectator sports) but, quite astonishingly, the reaction of...
Rights sold to:

English world rights (Harvard UP), Spanish world rights (Katz), Chinese simplex rights (Horizon), Italy (Sossella), Netherlands (Arbeiderspers), Korea (Dolbegae), Hungary (Kijárat), Ukraine (Dukh i Litera)

Previously published in the respective language / territory; rights available again: Russia (New Literary Observer), Brazilian Portuguese Rights (Companhia das Letras)