English world rights (Stanford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP)
When it comes to understanding the ontology of individual existence—that is, the everyday behaviors that we all perform and hardly ever think about—the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht...
When it comes to understanding the ontology of individual existence—that is, the everyday behaviors that we all perform and hardly ever think about—the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" —referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Barthes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
Hans Ulrich Gumbrecht was born in 1948. He has been teaching at Stanford University since 1989, where he is the Albert Guérard Professor in Literature. In addition to numerous visiting professorships, he has received eight honorary doctorates.
Hans Ulrich Gumbrecht was born in 1948. He has been teaching at Stanford University since 1989, where he is the Albert Guérard Professor in...
Philosopher and translator, critic and writer, art agent and encyclopaedist: Denis Diderot, born in Champagne in 1713, died in Paris in 1784, was one of the defining figures of the movement that...
English world rights (Standford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP)
The atomic bomb and the Cold War, but also the German currency reform and that country‘s first soccer Wold Championship (called the »Miracle of Bern«); these are the hallmarks of...
English world rights (Stanford UP), Spanish world rights (Universidad Iberoamericana), Russia (NLO), Brazilian Portuguese rights (UNESP), Poland (Krytyka Polityczna)
English world rights (Columbia UP), Brazilian Portuguese rights (UNESP), Italy (Bompiani), Turkey (Insan)
English world rights (Harvard UP), Spanish world rights (Katz), Chinese simplex rights (Horizon), Italy (Sossella), Netherlands (Arbeiderspers), Korea (Dolbegae), Hungary (Kijárat), Ukraine (Dukh i Litera)
Previously published in the respective language / territory; rights available again: Russia (New Literary Observer), Brazilian Portuguese Rights (Companhia das Letras)