murder ballads

Suhrkamp | Insel

murder ballads / mörderballaden
True crime in verse form
Murder ballads have been around since people have been telling stories. Whether it’s H.C. Artmann’s dialect poems, Bertolt Brecht’s The Ballad of Mack the Knife or Nick Cave’s Murder Ballads, they all revolve around crime. Juliane Liebert brings this genre into the present day and writes about a female bank robber in men’s clothes who is killed in a stand-off with the police. About victims of political persecution. About pen friendships with death row prisoners. About the time...
Read more
Murder ballads have been around since people have been telling stories. Whether it’s H.C. Artmann’s dialect poems, Bertolt Brecht’s The Ballad of Mack the Knife or Nick Cave’s Murder Ballads, they all revolve around crime. Juliane Liebert brings this genre into the present day and writes about a female bank robber in men’s clothes who is killed in a stand-off with the police. About victims of political persecution. About pen friendships with death row prisoners. About the time of »the true murderess«. She asks »how my mother might be doing / down in the ground / is she drinking? Is she listening in? Is she cold?» and »are you afraid? I say no. I didn’t want to be«.

Liebert tells of murder and manslaughter, of our fears and dreams – reflecting all the madness of the world. »song: kill eat shop«.  
2025, 100 pages
Service
Cover (Web)Cover (Print)

Persons

Juliane Liebert, born in Halle/Saale in 1989, studied at the Berlin University of the Arts and works as a freelance author and journalist writing for publications such as Süddeutsche Zeitung, DIE ZEIT and Spiegel. She writes prose and poetry and has published numerous books, songs to the great void is her first publication with Suhrkamp Verlag. Juliane Liebert lives in Berlin.

Juliane Liebert, born in Halle/Saale in 1989, studied at the Berlin University of the Arts and works as a freelance author and journalist writing...


OTHER PUBLICATIONS

songs to the great void
Year of Publication: 2021
Juliane LiebertYear of Publication: 2021

On the brink of sleep, walking around in the big city, we encounter Nikolai Gogol and Marianne Faithfull, sock dandies and party girls, the damaged and those left behind, »face down«, »on broadway at the bus stop«, »for ten, fifteen minutes, really«. They are »so tired of the games, even the knives are sick of stabbing«. Because what else is the heart but a »muscular hollow organ« – octopuses...