As if It Were Over

Texts From the War
Suhrkamp | Insel

As if It Were Over / Als wäre es vorbei
Texts From the War

Winner of the Horst Bingel Literary Prize 2024

A war chronicle in columns – the follow-up to her prose miniatures The Photo Looked Back at Me

»A book I never wanted to write.«

How does war change pictures? How does it change how we see? How does it change the people who live through it or those who observe it? With her photo columns – published in the newspaper between February 2022 and autumn 2024 – Katja Petrowskaja has unintentionally written a chronicle of the war in Ukraine.

It begins on the eve of the invasion, with a landscape in Georgia, somewhere along the great Military Road. Animals. The air...

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»A book I never wanted to write.«

How does war change pictures? How does it change how we see? How does it change the people who live through it or those who observe it? With her photo columns – published in the newspaper between February 2022 and autumn 2024 – Katja Petrowskaja has unintentionally written a chronicle of the war in Ukraine.

It begins on the eve of the invasion, with a landscape in Georgia, somewhere along the great Military Road. Animals. The air is heavy with the threat of war. On the next page, the cry; My Kyiv! The inconceivable reality of the war, as monstrosity intrudes on the life of the writer.

The war destabilises our gaze. We see pictures of smiling people and instinctively wonder if they are still alive. A man stands in a hole in the middle of the street, »as if he were trying on a possible death, as if death were his new clothes«. A pale, laughing girl, clinging to an older woman. From the story behind this picture, we are surprised by the sudden realisation that the improbable is possible after all – that even miracles are possible in these times.

»[Petrowskajas] photo columns ... are major literature.« Andreas Fan, taz. die tageszeitung

»With her pictures and texts, Petrowskaja breaks through the madness that this war still hurls at us in Europe every day.« Nicolas Freund, Süddeutsche Zeitung

»With her new book, Katja Petrowskaja wakes us out of the sleep of repressing all the suffering in her homeland.« Björn Hayer, der Freitag

»[Petrowskaja] also writes to combat her own war fatigue. And she does so in her own unique, poetic language.« ttt – titel thesen temperamente

»Reading [On The Photograph Looked Back on Me] transforms the way we remember, as if these dialogues between words and photographs restored a perspective we had forgotten.« Michele Neri, Il Foglio

»What Petrowskaja is really doing is meditating upon what it means to see. What it means to live with and in history. To be a viewer, to be sure, but also a participant. The images stick with you.« Bodil Skovgaard Nielsen, Information (Denmark) on The Photograph Looked Back on Me

»With [On The Photograph Looked Back on Me] book, [Petrowskaja] enters the realm of great photographic literature, represented by authors like Walter Benjamin, Roland Barthes, Susan Sontag and W.G. Sebald. In the future, we will have to consider the author of this book a member of this circle as well.« Anton Holzer, Neue Zürcher Zeitung (Switzerland)
»[Petrowskajas] photo columns ... are major literature.« Andreas Fan, taz. die tageszeitung

»With her pictures and texts, Petrowskaja breaks through the madness that this war still hurls at us in Europe every day.« Nicolas Freund, Süddeutsche Zeitung

»With her new book, Katja Petrowskaja wakes us out of the sleep of repressing all the suffering in her homeland.« Björn Hayer, der Freitag

»[Petrowskaja] also writes to combat her own war...
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2025, 217 pages
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Katja Petrowskaja was born in Kyiv in 1970. She studied at the University of Tartu, Estonia, and was also awarded research fellowships at Columbia University in New York, and Stanford in California. Katja Petrowskaja received her PhD in Moscow. Since 1999, she has lived and worked in Berlin. Her literary debut Vielleicht Esther was translated into more than 20 languages and received numerous awards.
Katja Petrowskaja was born in Kyiv in 1970. She studied at the University of Tartu, Estonia, and was also awarded research fellowships at Columbia...

OTHER PUBLICATIONS

The Photograph Looked Back at Me
Year of Publication: 2022
Katja PetrowskajaYear of Publication: 2022
An image catches the viewer’s eye and captivates her. The photograph of a ghostly plant in a book about Chernobyl. The face of a miner clouded in smoke in an exhibition in Kiev. A couple of...
Rights sold to:

France (Macula), Italy (Adelphi), Denmark (Palomar), Sweden (Glänta), Slovak Republic (Asociácia Corpus)

 

Maybe Esther
Year of Publication: 2014
Katja PetrowskajaYear of Publication: 2014
Was her name really Esther, her great-grandmother on her father’s side, who stayed behind in the empty apartment in Kiev in 1941, after her family had fled? And the Yiddish words with which she...
Rights sold to:

USA & Canada (Harper Collins US), UK & Commonwealth (Fourth Estate), Spanish world rights (Adriana Hidalgo), Chinese simplex rights (The Writers‘ Publishing House), Russia (Ivan Limbakh), Brazilian Portuguese rights (Companhia das Letras), Portuguese rights (Quetzal), France (Seuil), Italy (Adelphi), Netherlands (De Bezige Bij), Denmark (Tiderne Skifter), Sweden (Norstedts), Finland (Tammi), Poland (Jagiellonian University Press), Slovakia (Premedia), Bulgaria (Paradox), Estonia (Hea Lugu), Slovenia (Ebesede), Greece (Kapon), Ukraine (Knihy XXI), Georgia (Sulakauri), Israel (Carmel)

Previously published in the respective language / territory; rights available again: Norway (Gyldendal Norsk), Hungary (Magvetö), Romania (Humanitas) 

Domestic Rights Sales: German Audiobook (DAV), German Entire Radio Reading (SWR), German Book Club rights (Büchergilde Gutenberg)