Glaring Days

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Suhrkamp | Insel

Glaring Days / Grelle Tage
Play
When the Matterhorn lost its horn

There is melting, there is wobbling, something in our world has been out of balance for a long time. The ice is disappearing, leaving behind mud and craters. Mammoths are uncovered and they soon attract hunters – finally they can sell ivory without killing for it. The events of Glaring Days happen simultaneously and its characters effortlessly transcend time and space. A 13,000-year-old tattered wolfhound appears in a dried-up Brandenburg lake, at the shore of which sits...

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There is melting, there is wobbling, something in our world has been out of balance for a long time. The ice is disappearing, leaving behind mud and craters. Mammoths are uncovered and they soon attract hunters – finally they can sell ivory without killing for it. The events of Glaring Days happen simultaneously and its characters effortlessly transcend time and space. A 13,000-year-old tattered wolfhound appears in a dried-up Brandenburg lake, at the shore of which sits teenager Jo, sweating and never sleeping, lest the world dissolve even further right before their eyes. But the dewy climate has not only set the ground in motion – the mountains are shifting as well: the Matterhorn is now missing its horn. The wolfhound and Jo set out on a wild road trip together, buy gravel at the hardware store and steal a car to fill the hole in the mountain. But the tattered dog is steadily losing substance, even though he is determined to complete the mission. His decomposition has long since begun.

Selma Matter tells a dystopian story that deals with a frightening new mobility and deformation of our word with complexity and quiet humour. In doing so, Matter invents a virtuoso and vivid language that dissolves increasingly alongside its characters and ultimately asks: what remains?

2023, 118 pages
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Selma Kay Matter, born in Zurich, studies Scenic Writing at the Berlin University of the Arts, before that she read Literature, Theatre Studies and Philosophy at the University of Hildesheim. Matter was part of the artistic direction of the literature festival PROSANOVA 2020 and co-editor of BELLA triste, works in various collective and transdisciplinary constellations as an author and dramaturg and has been writing plays in collaboration with Marie Lucienne since 2020. Together they created the play Alice verschwindet, which was awarded the 2022 Thomas Bernhard Fellowship and premiered at the Landestheater Linz. Matter and Verse’s latest play, Alias Anastasius, premiered at the Berliner Ensemble in March 2023. Selma Kay Matter received the Hans Gratzer...
Selma Kay Matter, born in Zurich, studies Scenic Writing at the Berlin University of the Arts, before that she read Literature, Theatre Studies and...