your palaces are empty (all we ever wanted)

a missa in cantu
Suhrkamp | Insel

your palaces are empty (all we ever wanted) / eure paläste sind leer (all we ever wanted)
a missa in cantu
A journey down the river of language into the broken, capitalist heart

The statues have been toppled, the colonies dissolved, the servants have fled, there are stoats in the ballroom, roots have gripped the stairway, the palaces are in ruins, capitalism smokes one last cigarette, bloodless, the Anthropocene coughs in consternation and amidst all of this someone whispers: but I loved you.
Thomas Köck moves through different scenarios and times that are connected by an excessive search for love and power, redemption and transcendence: In the Brazilian...

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The statues have been toppled, the colonies dissolved, the servants have fled, there are stoats in the ballroom, roots have gripped the stairway, the palaces are in ruins, capitalism smokes one last cigarette, bloodless, the Anthropocene coughs in consternation and amidst all of this someone whispers: but I loved you.
Thomas Köck moves through different scenarios and times that are connected by an excessive search for love and power, redemption and transcendence: In the Brazilian jungle around the year 1550, conquistadors are on the move in the name of God and the crown, ruthlessly subjugating people and nature in search of Eldorado. In the America of our day, an opioid crisis is rampant, people are fading away, on the assembly line, in their cars, in their mansions, veins and mouths open, while corporations are in pursuit of profit.

And amongst it all the insight, whispered over and over: we knew everything, we did nothing. Powerless visionaries walk through the circles of hell in this missa in cantu, a powerful, melancholy chant joined continuously by more and more voices and memories.

2022, 184 pages
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Persons

Thomas Köck was born in Steyr, Upper Austria in 1986. He grew up with music and studied Philosophy in Vienna as well as Scenic Writing and Film at the Berlin University of the Arts. He worked at the theatercombinat wien, was invited to Berlinale Talents with a documentary film project about Beirut, was an in-house writer at the Nationaltheater Mannheim, writes for the blog nazisundgoldmund.net and develops concert readymades for the label ghostdance together with Andreas Spechtl. He has received several awards for his plays, including the »Text & Sprache« literature prize of the Kulturkreis der deutschen Wirtschaft in 2018, the Mülheimer Dramatikerpreis in 2018 and 2019, and most recently the audience award at the Mülheimer Theatertage NRW.
Thomas Köck was born in Steyr, Upper Austria in 1986. He grew up with music and studied Philosophy in Vienna as well as Scenic Writing and Film...

OTHER PUBLICATIONS

Chronicle of a Country Going Off the Rails
Year of Publication: 2024
Thomas KöckYear of Publication: 2024
»History always repeats itself twice, right? The first time as tragedy, the second time as farce. In Austria, it’s only the farce that gets repeated, and at some point it let its mask fall and has become gruesome grimace, a grotesquerie.« In autumn of 2024, Austria will elect a new National Council, and the election campaign has been underway for some time.

And Thomas Köck has been...