English world rights (Dalkey Archive), France (Gallimard)
Previously published in the respective language / territory; rights available again: Spanish world rights (El Olivo Azul), Italy (Il Mosaico), Netherlands (Bruna & Zoons), Norway (Det Norske Samlaget), Japan (Chikuma Shobo), Poland (Panstwowy Instytut Wydawniczy), Czech Republic (Odeon), Slovakia (Slovensky Spisovatel), Hungary (Europa), Bulgaria (Narodna Kultura), Estonia (Hea Lugu Oü)
Domestic Rights Sales: German Audiobook (kunstvolk)
»I’m lying in my bed, my winter bed. It’s bedtime. But when isn’t it? It’s silent, almost silent. Usually, there’s a breeze at night, and one or two cocks crow. But now there’s no breeze, and no cock is crowing, not yet. Instead, the wood of the paneling along my walls is creaking from time to time.«
Tynset, a small community in Norway, is the magical focal point of the excessive monologue in which the protagonist unfurls the inventory of his life and his consciousness during one long, sleepless night.
A man plagued by insomnia and anxiety wanders around the house that he hasn’t left for a long time. Only his associations transcend his voluntary isolation. The narrative structure is constructed as artistically as a piece of music, using Tynset as a...
Tynset, a small community in Norway, is the magical focal point of the excessive monologue in which the protagonist unfurls the inventory of his life and his consciousness during one long, sleepless night.
A man plagued by insomnia and anxiety wanders around the house that he hasn’t left for a long time. Only his associations transcend his voluntary isolation. The narrative structure is constructed as artistically as a piece of music, using Tynset as a leitmotif.
»An opaquely powerful work about obsession, delusion, repression, and guilt.« Kirkus Reviews
»[…] Tynset, a narrative construct that is as elaborate as it is sophisticated, refuses to be a novel but still accomplishes that which a novel can achieve today: to culminate personal experience in the imaginary, and embed it into a framework that has – without being rigid - the binding and referencing power to bring the singular, the scattered and ambiguous into a rationally plausible and comprehensible correlation.« Frankfurter Allgemeine Zeitung
»The sombre emotional state of the book is symptomatic for our time. It doesn’t leave readers indifferent, even when they don’t agree with the conceptual essence. That’s a sign of mass appeal.« Frankfurter Allgemeine Zeitung
»What a wonderful storyteller Wolfgang Hildesheimer is!« Rudolf Hartung
»An opaquely powerful work about obsession, delusion, repression, and guilt.« Kirkus Reviews
»[…] Tynset, a narrative construct that is as elaborate as it is sophisticated, refuses to be a novel but still accomplishes that which a novel can achieve today: to culminate personal experience in the imaginary, and embed it into a framework that has – without being rigid - the binding and referencing power to bring the singular, the scattered and ambiguous into a...
Wolfgang Hildesheimer was born on 9 December 1916 in Hamburg and died on 21 August 1991 in Poschiavo, Switzerland. He spent his childhood in Hamburg, Berlin, Nijmegen (Netherlands), and Mannheim. After completing an apprenticeship in carpentry in Palestine, where his parents had emigrated to, he studied painting, textile design and stage design at the Central School of Arts and Crafts in London from 1937 to 1939. After the beginning of World War II, he returned to Palestine and worked as a freelance graphic designer and painter in Tel Aviv and Jerusalem. In 1946 he worked at the Nuremberg trials as a simultaneous interpreter and court stenographer. Afterwards, he turned to writing and became a member of the Group 47. He caused a sensation with the speech he gave on the occasion of the...
Wolfgang Hildesheimer was born on 9 December 1916 in Hamburg and died on 21 August 1991 in Poschiavo, Switzerland. He spent his childhood in...
In this definitive biography, Wolfgang Hildesheimer demythologizes Mozart, revealing him as a flawed and puzzling human being, but a matchless artist. Hildesheimer's fresh approach to the music...
USA (FSG), Chinese simplex rights (East China Normal UP), Italy (RCS /Rizzoli), Sweden (Norstedts)
Previously published in the respective language / territory; rights available again: UK & Commonwealth (Dent), Spanish world rights (Destino), Brazilian Portuguese rights (Zahar), France (Lattès / Presses Pocket / Bartillat), Netherlands (Arbeiderspers), Denmark (Bogans), Finnland (Otava), Korea (National Research Foundation of Korea), Japan (Hakusuisha), Czech Republic (Arbor Vitae), Slovakia (Opus), Hungary (Gondolat), Serbia (Dereta), Slovenia (Obzorba)
Estonia (Loomingu Raamatukogu)
Previously published in the respective language / territory; rights available again: Spanish World Rights (Magisterio Espanol), Italy (Marcos y Marcos), Czech Republic (Odean)
Domestic Rights Sales: German Special Edition (Faber & Faber Verlag)